Archive for the ‘advice/tools’ Category

The Warlord of Ghandor is stuck in a tree!

Friday, February 4th, 2011

Warlord of Ghandor

I was going around in circles inside the tree kingdom! Perhaps this structure in the trees was not empty of life after all. I began to feel that I was being deliberately led from one blindfall to another by someone opening and then closing off behind me one passageway after another.

This is the kind of old-school dungeoncrawling trick that a Gygax-style DM would use.

One reason it’s hard to pull off in recent-edition D&D is that it works best when PCs are mapping. Otherwise it’s harder to get that dawning realization that the PCs are being shepherded forward; you just come to a point when the PCs say, “We return the way we came,” and the DM says “You can’t.”

I’m in favor of the occasional mapping-based dungeon, although a little goes a long way. It does allow for a different suite of DM tricks.

Opening and closing doors in response to PC movement is one of the few ways monsters can frustrate PCs without getting themselves killed. Good for a mastermind-type villain. Be fair to the PCs though: at worst, the PCs should be shepherded into exciting danger, not trapped in a boring dead-end.

mazes and spells

Monday, January 31st, 2011
This entry is part 22 of 34 in the series Mazes and Monsters

I’m pretty far into my Mazes and Monsters RPG draft by now. When it comes to actually writing, I’m finding that I have to make up a lot of stuff from whole cloth. The Mazes and Monsters movie didn’t do all the work for me.

For instance, I’ve figured out the spell system, but now I actually have to fill out the spell lists. I have a handful of spell names, mostly gleaned from screencaps of Robbie’s and Kate’s character sheets.


Click the picture to enlarge if you want to squint and try to read Robbie’s character sheet.

Robbie’s spells are neatly divided into “spells” and “powers”.

The spells are
invisibility
sleeping potion
stop motion
the Eye of Timor

The powers are
Raise the Dead
Instant Healing
read strange languages

and something that looks to me like

mister mister

but it can’t be, because that is an 80s band, not a spell.

Any other ideas what it could be? Misty Magic? Make Image? Make Maze? Make Movie? (Maybe this explains how Mazes and Monsters got made!)

Kate’s fighter also knows spells!

There’s a thumb in the way, but these spells look to me like

Melts Metal
Freeze Water
Make [tacos]?
Move [stuff]?

The tacos spell seems slightly implausible, because if there was a spell that did that, we’d probably see the gang eating tacos at their game sessions, to “stay in character.”

I’ve decided that spells are divided into three categories: “spells” (available to all characters), “powers” (available only to Holy Men), and “tricks” (mentioned once by Jay Jay, and thus probably available to Frenetics).

Today I’ll try to flesh out the Powers available to Holy Men. I’ll write one spell per level, from 1 to 10.

Instant Healing: Level 1 power. Restores 30 HP.

Healing is the bread and butter of the cleric-type class, so this spell should be available at level 1. 30 points of healing will probably fully heal first- or second-level characters.

Look! Where the light was pointing!


Read Strange Languages: Level 2 power. You can read any written language. The spell ends when you fall asleep.

This Level 2 spell will be less popular than the level 1 healing spell, but hopefully, to compensate, Maze Controllers will put in lots of important foreign-language clues.

Holy Water: Level 3 attack power. The character is able to prepare a number of vials of Holy Water equal to their character level. Anyone can throw these vials as a normal attack. Any undead or demonic creature hit by a vial of Holy Water takes damage with a trait die.

Each Holy Water lasts until the caster falls asleep, at which point it becomes normal water.

This is the first spell I’ve written that has no basis in anything in the movie. I’ll have to do a lot of this, if I want to produce at least 30 spells, powers, and tricks.

One of the problems with low-level spellcasters is that they must hoard their spells while their fighter buddies get to swing swords all day. Inspired by the spell named “Sleeping Potion”, I decided that some attack spells might be pre-combat spells that gave the caster a limited number of pieces of ammunition.

Imagine if D&D’s Magic Missile gave first-level magic-users multiple missiles, which could be spent over the course of the day. It would give 1e magic-users more staying power over the course of the dungeon, without dropping the limited nature of 1e magic.

Full Healing: Level 4 power. Restores a character to their full Hit Point total.

A Holy Man needs a suite of successively more powerful heal spells. I’ve boosted their power relative to D&D, allowing a fourth-level character to fully heal someone, because I think Mazes and Monsters characters can’t count on getting back to town and resting whenever they want.

Seal Door: Level 5 power. Lock a single door. The door requires a RONA to open equal to the caster’s level + 3. If anyone fails this RONA, they may not try again.

You! Shall! Not! Pass!

This spell isn’t referenced by name anywhere in the movie, but I imagine that when Robbie/Pardieux mystically lays his hand on the door of Jay Jay’s Halloween party, he thinks he is casting this spell.

Make Thunderbolts. Level 6 attack power. Creates a number of thunderbolts up to the caster’s level, which are all held in the caster’s left hand. The thunderbolts can be thrown one at a time, and follow the rules for thrown weapons. If a target is hit, it takes Lightning damage. The spell ends when the thunderbolts are used up, the caster lets go of the thunderbolts, or the caster falls asleep.

After a couple of levels of sealing doors and healing, the Holy Man should be ready for a straight-ahead attack spell around now. Lightning seems suitably divine.

Healing Potion: Level 7 power. Creates up to 5 Healing Potions. Anyone who drinks one of these potions is restored to their full Hit Point total.

Each Healing Potion lasts until the caster falls asleep, at which point it becomes normal water.

After giving full healing to Holy Men at level 4, the only way to escalate is to heal the whole party. Because the spell produces potions, the Holy Man is freed from the task of providing in-combat healing – he just hands out potions before the battle starts.

Make Maze: Level 8 power. Allows you to put a creature into the Mazed condition. You must be within throwing distance, but you don’t need to throw anything. You speak up to 20 words: the creature believes whatever you say. For instance, “The other monsters have been plotting to steal your gold!” or “The room is filled with tacos that you must eat before you can attack us!”

As with any Maze, the victim gets an immediate check to escape that Maze. The RONA to escape the Maze is equal to your level.

I decided that make maze was more likely than mister mister.


Fly: Level 9 power. The caster, or another character of his choice, is able to fly for the next hour.

A flying character who takes off from a sufficiently high point (at least 1300 feet off the ground) who flies straight up for the entire hour can reach Heaven.

Robbie climbs WTC because he believes that he can fly to heaven to be reunited with his brother. I guess the extra height of the WTC makes all the difference.

Raise Dead: Level 10 power. Restores a dead person to life, with half of their maximum Hit Points. It only works for a short period after the person’s death; after that, you need to fly to Heaven to find them.

Next time: Playtest!

In Search of the Purrfect Villain

Wednesday, January 26th, 2011

Making a good villain is tough! If you aren’t careful, they can pretty easily die in the first session you introduce them! Sure, you can avoid getting them killed if they only show their face for a few moments before skulking back into the shadows, but if you want your villain to be able to get in the thick of things and properly taunt the PCs there are a few good things to keep in mind:

1. Make Your Villain a Lich: Liches are great! They can relentlessly fight the party over and over again and live to fight another day, even when defeated. Tracking down their phylactery is an exciting adventure unto itself and a delightful prelude to a final encounter.

2. Use a Flying Villain: Dragons, Onis, and humanoids with flying mounts are great. They can stick around in a fight until things start to get rough and then safely escape into the skies! A burrowing villain could do the same thing, but unless your villain is an umber hulk (which would be awesome!) that’s going to be a bit less common.

3. Use a Controller or Artillery: Most controllers and artillery can keep their distance from the fight, which makes it much easier to set up easy escape plans for them. If a Mind Flayer can stay effective while attacking from a balcony that is hard to get to, then it can simply walk away when it tires of the fighting. (more…)

traits in Mazes and Monsters

Monday, January 24th, 2011
This entry is part 21 of 34 in the series Mazes and Monsters

Traits

In FATE, you can make up your own traits, and apply them whenever you want. That’s fine for modern games, but in Mazes and Monsters, that kind of heady authorial control is reserved for high-level characters. The technology of the 80s is all about charts.

Here’s what I’m thinking:

Every character starts the game with one Trait. A Trait is a special characteristic that makes him or her unusually good (or bad) at certain activities.

To determine your Trait, roll a d12 and consult the following chart. Each die roll has two or more possible traits listed next to it: choose the one you want.

1 ARMS: Choose one of the following traits:
strength: Add a trait die to melee weapon damage (including unarmed combat). Carry up to 2 bulky items. Also, gain a Trait die on any check that requires strength.
throwing: Add a trait die when throwing a dagger.
2 LEGS: Choose one of the following traits:
quickness: When not wearing armor, your Protection RONA is increased by one. Add a trait die when running.
stealth: Add a trait die when sneaking or stealing.
3 MIND: Choose one of the following traits:
cleverness: gain a Trait die on any check that requires cleverness or trickery.
Spellcraft: Choose a spell. Gain a Trait die on any RONA check required by this spell. Also, its spell cost is halved.
4 HEART: Choose one of the following traits:
serenity: Add a trait die when escaping or resisting emotional attacks.
courage: Add a trait die when escaping or resisting fear attacks.
5 SKILL: Choose one of the following traits:
Weapon skill: Choose a weapon to specialize in (including unarmed combat). You gain a Trait die whenever you and your target are both using this weapon.
Athletic skill: Gain 10 bonus Hit Points. Gain a Trait die on any RONA involving athletics or toughness.
6 GUIDANCE: Choose one of the following traits:
luck: Once per session, add a trait die to a roll of your choice.
direction sense: Add a trait die when finding your way. Once per maze, you may ask the Maze Controller whether a door or passage will lead the party closer to the treasure.
7 EYES: Choose one of the following traits:
sharp eyes: Add a trait die when looking for something.
aim: Add a trait die when attacking with a bow.
8 EARS: Choose one of the following traits:
hear through walls: Add a trait die when listening for something.
intuition: Add a trait die to escape the Mazed state when talking to a nonexistent person. Add a trait die when determining people’s motives.
9 TONGUE: Choose one of the following traits:
persuasiveness: Add a trait die when convincing others. You may buy items from town at half price.
bardic music: If you play an instrument and sing while casting a Trick, add a trait die.
10 SOUL:
piety: Add a trait die when attacking undead. Also, gain a Trait die on any check that requires divine aid.
power of light: You may create illumination with no light source.
11 Roll again on the Traits table, rerolling 11s and 12s. Choose a Trait. You are unusually BAD at this trait: when it comes up, the Maze Controller rolls 2d12 and takes the WORST of the two rolls.
12 You may choose any trait you want.

I notice that w’ve sort of reinvented D&D3e feats here. That’s fine. It’s inevitable, I think, given the character sheets we’ve seen with their non-numeric character descriptors like “courage” and “throwing”. Again, it’s not us inventing, it’s Rona Jaffe guiding.

Next week: spells!

mazed in monsters

Monday, January 10th, 2011
This entry is part 19 of 34 in the series Mazes and Monsters

OK, we’ve got pretty much a complete game out of Mazes and Monsters. We’ve figured out combat, skills and spells: everything we need for a generic sword-and-sorcery game.

All that’s remaining are a few Mazes-and-Monsters-specific rules hints dropped by the characters. Frankly, a lot of them don’t receive a lot of rules support in the movie at all, and some almost seem like offhand fake-jargon that’s being made up on the spot. But we know that
THAT’S
NOT
TRUE.

There is Underlying Truth to be found here: we just have to dig it up.

Get your shovels!

Mazed

One of the focuses of Mazes and Monsters is the thin line between fantasy and reality.

Equally thin is the line between players and characters. Both players and characters can become confused about what’s real and what’s not.

We’ve determined that when a character is confused, they enter the “Mazed” condition. A Mazed character’s mini is placed in a special square on the Mazes and Monsters gameboard, which I will call the “Maze Prison”.

Mazes and Monsters boardWhen a character is Mazed, their perception of reality can be skewed by whoever is imposing the condition. Friends may appear enemies and vice versa; an open door may appear to be a solid wall; or the character may be totally immersed in a fantasy world that has no connection to reality (or, technically, a fantasy world that has no connection to the shared fantasy world of Mazes and Monsters: a higher level of fantasy, if you will.) All details of the fantasy are determined by the creature or effect that imposes it.

The power of a Maze is measured by the RONA check to escape it. Like other RONAs, it ranges from 3 (Easy) to 9 (Hard).

When an effect Mazes you, you may make an immediate RONA check to shake off the illusion. If you succeed, it exerts no more power over you. If you fail, you are locked into the illusion until some outside force challenges your delusion. Such an event is called a Maze Disruption, and it allows you to make a new RONA check, against the same difficulty, to break free of the illusion. If this new check fails, you incorporate the disruption within the Maze delusion, and that same effect will no longer provide you with a chance to break free.

Example Maze Disruptions:
-If you’ve been Mazed to believe an open door is a solid wall, you may make a new RONA check if someone passes through the door.
-If you’ve been Mazed to think that your friend is a fierce Gorville, you may make a new RONA check if your friend talks to you and reminds you of your shared friendship.

Caution: According to Mazes and Monsters, these are rules for real life as well!

Next week: We’ll cover more movie jargon, “fantasies and scenarios”! Will this be the sexiest Mazes and Monsters article yet??

legal battles on the battlegrid

Tuesday, January 4th, 2011

Let’s say you’re running a city campaign, and you decide (for whatever reason) that you don’t want your players to treat your city like a dungeon with no roof, kicking in every door and murdering indiscriminately. On the other hand, everyone likes a fight, and you want to pack in at least one combat per game session! This can send mixed signals to a player. How will they know when it’s “this guy is dangerous, but we can’t just murder him” time and when it’s “kill the threat to the city and get a medal” time?

Bring law onto the battle grid. Historically (or at least historical-fictionally), dangerous cities had codes of acceptable violence. Dueling laws separated honorable heroes from murderers.

The laws don’t have to be complete, and they don’t even have to make much sense. There’s just one quality they need: they must be SHORT. Players don’t have space in their brain for a whole new legal system. The entire law code should be no longer than, say, a feat description.

Here’s one potential law system, or at least the part that’s relevant to players:

The Blood for Blood Law
If you kill someone who has not physically injured you or an ally, you are guilty of murder.

Make this a strict rule in your city. Anyone who breaks it (with witnesses) will face serious consequences. Let the players know that this is the rubric for when they are not allowed to kill people within city limits. (There are other laws, of course. An assassin who is injured by his mark doesn’t get off scot free. At the very least, he’s breaking and entering.)

The lawmakers’ intent behind the Blood for Blood Law was to prevent murders masquerading as duels. If an adventurer forces a shopkeeper into a duel, and kills him, is it a fair fight? If the shopkeeper got in a hit, maybe it is. If the adventurer beats the shopkeeper without taking a scratch, that suggests that the adventurer was far more skilled than the shopkeeper, and it’s MURDER.

Say the PCs are attacked by their enemies: enemies who could be… awkward if left alive. Are the PCs allowed to kill them? Not until the enemies get some hits in. Once they smack a PC for a few points of damage, they become fair game. Also: that guy in the back, shooting arrows at the PCs and missing every time? He’ll have to be dealt with nonlethally. Or you can make a Bluff check to blame a self-inflicted wound on him.

Does it make sense? Not really. But it’s the law of the land. And it works better with D&D than more sensible rules: it doesn’t forbid combat, it just saddles it with arbitrary restrictions.

the magic king

Friday, December 17th, 2010

I’ve mentioned before that in a D&D world, where magic works, we should trust ceremony. One ceremony I haven’t discussed yet is the anointing of a king. In Africa this was apparently very important: African Civilizations mentions that all the African civilizations studied in the book appear to use religious ideology to support the power of its ruling class. In some places in central Africa, kings were worshiped as recently as the 20th century.

African Civilizations by Graham Connah

African Civilizations by Graham Connah

D&D, and fantasy in general, tends to be deeply conservative, in that its heroes tend to be the type who support the status quo, or want to return a recent status quo. They oppose evil forces who want to change things for the worse. (Liberal fantasy would be, I guess, about educating the peasants or something: change would generally be regarded in a more positive light.)

Because fantasy is conservative, it idealizes the institution of kingship. The rules of monarchy have the power of natural law.

A king has a lot of political powers, but in a magical world, I think a king has some magical powers too.

a) A king’s blood is sacred. A subject who kills his rightful king will fall under a curse, probably for many generations.

b) A king has ritual powers. A king can perform “speech acts”: appointing people knights and nobles, and probably performing weddings and funerals, too, like the captain of a boat.

b) A king has healing powers. In medieval England, for instance, a king’s touch was supposed to cure tuberculosis. Between this and the ritual powers, a king basically has all the powers of a cleric. Makes sense, since if a king is not in the “leader” role, who is?

c) A king has powers related to national defense. Many kingdoms probably have some magic items or rituals usable only by the true king in defense of the kingdom. Excalibur comes to mind.

Ceremony is Always Rite

Tuesday, December 7th, 2010

James Mal has proposed an OD&D gameplay principle: D&D is always right. In other words, if you find an apparent contradiction or nonsensical rule, give it the benefit of the doubt and restructure your gameplay expectations to justify it. I think of this as similar to the fandom practice of creating explanations for apparent errors: for instance, if Star Wars is Always Right, you get to come up with a fun explanation for why the Millenium Falcon can do the Kessel Run in 12 parsecs.

This can be a fun practice, and often leads to interesting and quirky world details that make it seem like a living place.

Here’s another principle: Ceremony is Always Right.

Real old-time superstitions, rituals, and beliefs about magic should be a great source for worldbuilding quirkiness. Assume that any ceremony or ritual is not just ignorant superstition, but has a part in making the world the way it is.

I talked about funeral practices being necessary for speeding souls on their way. The same priests who do funerals probably do weddings too.

weddings in D&D

A wedding’s main function is for legitimizing heirs, right, for inheritance? Besides the legal penalties, what is the magical significance of being born out of wedlock?

I think medieval bastards were perceived as chaotic force. They have no claim on the lifestyle they’re born to. If they want to get anything, they need to upset the social order to get it, like Edmund in King Lear. What if bastard babies have a chance of being possessed by a demon, or being swapped for a changeling or something? A demon-possessed or changeling child will grow up with the goal of disrupting the family, either by seizing power or just killing everybody.

In ancient days, when demons ruled, demon spirits possessed maybe one in 10 children. The wedding ritual, which protects the children of a marriage, was one of the turning points in the war against the demons.

hit points and damage in mazes and monsters

Monday, December 6th, 2010
This entry is part 17 of 34 in the series Mazes and Monsters

We’ve pretty much gotten a complete RPG out of Mazes and Monsters, and now we’re putting together the final pieces. In a total reversal of normal RPG design, we’re putting together the combat rules last!

For reference, here’s Iglacia the Fighter’s character sheet:

Page 1:

click for larger version

Page 2:

Combat System

For our combat rules, we need something baroque, something byzantine, something a little quirky.

Sure, we could just abstract combat, make it an instance of the general action resolution mechanic, the way modern, non-combat-oriented games do: but this is the 80s. This is a game called MAZES AND MONSTERS. It’s about fighting monsters and stealing their treasure (and working out your neuroses along the way). It needs detailed combat rules, preferably with charts.

We already know some details about the combat system. The Columbo-like detective said it featured “maiming”. We know that characters have Hit Points (dozens or hundreds of them). From the way that Tom Hanks stood between the muggers, we can guess it doesn’t feature flanking or tactical movement. And from the lethality of traps, I’d guess that combat in Mazes and Monsters can be a fairly deadly affair.

Combat rules can be reduced to four pieces: Hit Points, Damage rolls, Hit Rolls, and Defenses. We’ll take the first two today.

Hit Points

At level 9, Iglacia the Fighter has 181 HP. An awkward number: approximately 20 HP per level, but off by one. It seems that there is some random die rolling involved. And in Mazes and Monsters, if there’s die rolling, there are d12s.

We could use our exploding die rolls here, but it doesn’t seem reasonable that someone could roll a negative number for hit points. Imagine a first-level character who starts with -5 HP! I mean, this is the 80s, the decade of death during character creation, but let’s avoid that little headache and have HP rolls be regular d12 rolls.

The average roll of 3d12 is 19.5; if fighters roll 3d12 per level for HP, a 9th level fighter would average 175.5. Iglacia’s 181 is perfectly reasonable, especially considering that players’ HP scores trend high. There’s a long RPG tradition of cheating on your hit-point rolls.

D&D-like games usually have tiers of classes, toughness-wise: for instance, Basic D&D gives fighters d8s for Hit Points, clerics d6es and magic-users and rogues d4. Advanced D&D inflated things up to d10 for fighters, and then gave d12s to barbarians, but let’s not get ahead of ourselves. We’ll introduce power creep in later supplements. For now, let’s give tough classes, like Fighters, 3d12 HP per level; and weaker classes, like Holy Men and Frenetics, 2d12 HP.

What about monsters? I don’t know about you, but rolling 27d12 to generate the Hit Points of a 9th-level monster doesn’t sound very fun to me. Let’s give monsters static HP by level.

Monsters, to my mind, come in two tiers: melee monsters and ranged. Let’s give melee monsters 20 HP per level (similar to fighters in toughness) and ranged monsters 10 HP per level (a little less than Holy Men and Frenetics).

Damage Rolls

You can derive average damage from average HP by answering the following question: all things being equal, how many hits can a hero take? and dividing accordingly.

I get the sense that Mazes and Monsters is a deadly game. However, as our friends prove, it is possible to get to level 9, so the odds are stacked towards the smart player!

My guess – based on the same instinct that led me to peg spell points at 20 per level and spells at 10 spell points per level – is that, on average, a fighter can take maybe two solid hits: but I wouldn’t be surprised if a monster can one-shot a player with a good enough damage roll.

Let’s start with two types of attacks, Weak attacks and Strong attacks.

Weak attacks – like a sprite’s dagger, or an ogre’s sling – do exploding 1d12 damage times the attacker’s level. (It’s a great way to learn your times table!)

Average damage for a weak attack is 5.5 HP per level, while fighters have an average of around 20 HP per level. On average, Iglacia the fighter can take 4 Weak hits from 9th-level adversaries before being killed.

Strong attacks – like a sprite’s bow, or an ogre’s club – do exploding 2d12 damage times the attacker’s level.

Two Strong attacks from a 9th level opponent will kill Iglacia. One such attack has almost a 50% chance of dropping Pardieux. He’d better only resort to front-line fighting as a last resort! He’d better rely on his spells, or on reason.

Next week, let’s figure out hit rolls, armor, weapons, and all that jazz. Then we’ll have a complete combat system.

clerics and The Curse of Chalion

Friday, December 3rd, 2010

I picked up this book as the fifth book of a “five for 5 dollars” deal at a used bookstore. I had the vague feeling that I’d heard of the author, Lois McMaster Bujold, before, but had no expectations about the book.

I have an uninformed prejudice against modern (80’s and later) fantasy, so The Curse of Chalion was a pleasant surprise. It’s definitely post-Game of Thrones (lots of court intrigue, and — the big tipoff — knights are called “ser”) but it fits in one regular-sized book and it’s not quite as horrific.

At one point, a character gains the ability to see ghosts, and discovers that they’re everywhere. They’re constantly trying to communicate with the living, but only “saints” can see them.

applying this to your game

D&D 4e cosmology has it that that when anyone dies, they spend a few days or weeks “nearby” before they (mostly) journey on to their final resting places. Imagine if these days are weeks are spent as ghosts, able to observe but not affect the living world. The day after a battle, thousands of ghosts are wandering the battlefield. Meanwhile, dozens of ghosts are ineffectively trying to warn people away from a witch’s house.

What if a character gains the ability to see ghosts? Maybe he or she can do so only when close to death – only when bloodied, for instance. In this case, vital information might only become available halfway through a battle. Outside of battle, the character would have to spend healing surges to conduct spirit research.

What if funeral rituals are the only way to give peace to the dead and prevent undead? Adventuring clerics suddenly gain a lot more importance in the game world. They are the only people who can journey to the dangerous places in the world and perform the burial rituals that release trapped spirits. Perhaps the ability to see spirits when bloodied becomes a clerical class feature, as does the ability to release a spirit from its body.

The ghosts seen by a cleric will have different goals. Most will try to lead the cleric to their bodies so that the cleric can perform a funeral ritual. Some, evil ghosts, will try to lure the cleric into danger or ambush.

Imagined this way, clerics are the ultimate healers: they heal your body while you’re alive, and then they heal your soul’s sickness once you’re dead.