Dungeon poster: Bonus goal #1 reached! Bonus goal #2: free dwarves!

March 9th, 2012

The response to my Random Dungeon kickstarter has totally floored me. Two days after it went live, it’s at 150% of its goal!

We’ve officially hit our first bonus goal of $3000, so everyone who pledged $22 or more will get a bonus signed poster. If you already pledged $17, consider adding $5 to your pledge: you’ll either get a second Random Dungeon poster to give to a friend, or a Wandering Monster poster that you can use to populate your random dungeon.

Now we should start talking about what else you guys will get for pledging. If the kickstarter keeps going strong, I’ll keep making up bonus goals, and your poster tubes will arrive jangling with all sorts of booty.

Bonus goal #2: If we hit $4000, every backer who’s donated at least $22 will get a bonus dwarf in their poster tube. Probably not a real dwarf. Either a patch, sticker, or (my favorite option) a rub-on transfer of the Suspicious Dwarf from the Random Dungeon poster. I had D&D rub-on transfers when I was a kid and they were boss. I’m investigating pricing now and I’ll keep you updated.

PDF note: I should also mention that everyone who gets a poster will also get a PDF of the poster: the PDF is not limited to $5 backers.

Art donation: Finally, I’ve agreed to donate my original artwork to Tim Hutchinson of PlaGMaDA (The Play Generated Map and Document Archive). He might regret that when he sees the bundle of assorted scraps he’s getting.

Thank you so much for backing the poster, guys! You’re all amazing!

Playing D&D with Mike Mornard: D&D as a loving pastiche

March 9th, 2012

During last night’s D&D game, DMed by original Greyhawk player Mike Mornard, we talked about a story I’d recently heard on an old episode of RadioLab, about a composer named Jonathan Cope. Cope wrote a computer program that could analyze the works of a classical composer – their musical intervals, chord progressions, and other patterns – and instantly generate new music in the same style: pastiche Bach, or pastiche Mozart. To my untrained ear, some of the music sounded pretty plausible. One faux-Beethoven piece sounded a lot like an alternate-history version of the Moonlight Sonata. (As Mornard noted when I told him the anecdote, Bach would be especially easy to analyze, since he was consciously playing number games in his music.) Other composers resist the idea of Cope’s computer-generated music, but Cope, I think, was acting on a respectful, loving desire to have more of the music he loved. I think that’s what gaming, fan fiction, and other forms of fandom are all about, at some level: the desire to understand the rules of the world you love, so that, for a little while, you can live there.

During our D&D game, we also talked about something seemingly unrelated: the upcoming John Carter movie. I’ve been a huge fan of Edgar Rice Burrough’s Martian books since I was a little kid, and I waver between a hesitant optimism and a fear that Hollywood’s Mars won’t live up to twenty-five years of memories. That’s a look into the soul of a pessimistic fan, the kind who just isn’t prepared to be happy.

Mike has a different attitude. “If I can see some Tharks tearing it up, I’ll be happy,” he says. That’s a look into the soul of a happy fan.

The Martian books are very influential on D&D and TSR, Mike reminded me. The original D&D books are rich with Martian references. The wandering monster tables contain references to the following monsters, all natives of Burroughs’ Barsoom: Thark, Thoat, Calot, White Ape, Orluk, Sith, Darseen, Apt, Banth, Red Martian, Black Martian, White Martian, and Yellow Martian.
Read the rest of this entry »

Kickstarter: Random Dungeon Generator as a Dungeon Map

March 7th, 2012

I’m making a giant poster that will encapsulate the original Dungeon Master’s Guide dungeon-creation rules on a playable dungeon map. I’ll be funding it as a kickstarter.

GO HERE AND PLEDGE!

The above is just a little piece of the poster, which is currently ten square feet of half-inked, insanely detailed dungeon map, filled with hundreds of corridors, rooms, traps, monsters, stairs, treasures, and other dungeon features, as detailed by the DMG’s Appendix A.

Here’s how you can use it: This project is an experiment in information presentation. It’s based on a couple of facts: a) the information in the DMG’s random dungeon charts can be rendered as a flow chart; b) any flow chart can be rendered as a dungeon; c) therefore, the procedure to make dungeons can itself be drawn as a dungeon. There are a couple of ways to use the poster.

a) You could use the poster to generate traditional dungeons: As a DM or as a solo player, you could trace your way through the dungeon, rolling dice at decision points and mapping on graph paper as you go, just as you would using Appendix A from the DMG. You’ll end up with a unique dungeon map.

b) You could skip the mapping and wander through random dungeons: There’s no need to map: if you follow the arrows through the dungeon, you’ll be presented with a succession of passages, doors, and wandering monsters. You can use minis or counters to track your place in the dungeon and your current dungeon level. You’ll meet different challenges every time you play.

c) You could ignore the dungeon-generation rules and use it as a literal dungeon: go through this door and find some stairs; go through this passage and find some treasure. If you do it this way, it will be the same dungeon every time.

d) You could hang it on the wall: OK, I drew it, so I’m not impartial, but I think this poster is pretty nice looking. It’s got a central portrait of the recurring page-border adventuring party from the 1e DMG, and along the edges there are lots of details to stare at.

Sounds good, right? You should

GO HERE AND PLEDGE!

Edition: The poster is pretty edition neutral. It can be used as is for D&D, 1e, and 2e as it is. For 3e, for specific tricks/traps you need to convert the occasional “save vs. magic” to “Will save” or whatever. For 4e, you’ll use “will defense” and probably double all trap damage. I play in OD&D and 4e games, and I plan to use it for both campaigns.

Here’s what it looks like: The poster is not fully inked and cleaned up yet, but I can show you a couple of pieces. Here’s a section called “Stairs”, and here’s the DMG chart upon which it’s based.

Here’s what the kickstarter is setting out to do: First, I’m raising money to print the poster. Second, I also want to reprint my OD&D Wandering Monsters poster, which is now sold out.

I’d like to get the posters delivered to pledgers by April 17, when Wizards reprints their first edition core books. My Dungeon Map generator gives you some dungeoncrawling fun to indulge in while you wait for Wizards to reprint some adventures.

If we raise extra money, I have a bunch of bonus goals in mind.

If we raise $1000 more than my goal, everyone who pledged at least $23 gets a free poster, either this poster or the OD&D wandering monster poster, their choice.

If we raise more than that, I have some other donation plans: I’d like to be able to donate 50 or 100 posters for the Gygax Memorial Fund to sell at Gen Con. I think the posters might be able to raise a couple thousand dollars.

I’m pretty sure I must have sold you by now so

GO HERE AND PLEDGE!

do you want to play some Mazes and Monsters? what about Dwimmermount?

March 6th, 2012

I’ve been remiss in finishing my retro-clone of the bizarre RPG from the movie Mazes and Monsters: maybe if my planned Random Dungeon Kickstarter works out I will try to print M&M as a game book. If you’re not yet familiar with the rules, check them out: they’re insane.

I mention this because, next week, I will be running a game of Mazes and Monsters in a museum, and, if you can make it to Brooklyn, you’re invited.

Come to Brian Droitcour’s Big Reality show on March 15, at the 319 Scholes gallery in Brooklyn. One of the pieces will be “Lawful Evil”, where I will run a game for a party of evil players. The game system will be a Mazes and Monsters/OD&D hybrid, and the adventure will be a preview of Dwimmermount, James Maliszewski’s megadungeon.

If you want to play, though, be warned: Mazes and Monsters is the game that drove Tom Hanks INSANE!

Fixing the elemental planes

March 5th, 2012

Featureless expanses of earth, air, fire, and water are just not that interesting, even liberally sprinkled with elementals. That’s a core problem with most of the D&D planes of existence – they’re more like allegories than locations. Unless you’re playing Pilgrim’s Progress: The RPG, allegories probably don’t feature heavily in your weekly game.

In my opinion, the best planes are the ones you can wander into unawares: the faerie kingdom, the land of the dead, dreamland: and the inhabitants will seem strange and frightening, and the rules will not be the rules you know, but they will be close enough that you won’t have to wear a space suit.

With that in mind, here’s my attempt to fix the elemental planes: earth, air, water, and fire.

Earth: The plane of earth is no fun because there’s nothing to do except get encased in solid rock. What if, instead, it’s a vast megadungeon, aware and malevolent like the dungeons of OD&D? Like all the best planes, it has its own rules: that everyone but you can see in the dark, and that doors that stick for you open easily for monsters. In fact, many dungeon crawl campaigns might as well be set in the Plane of Earth, except that the players occasionally “go to town” to rest and sell their loot. This fabled “town” might be one of the strange bubbles in the Plane of Earth, little places where people live in the illusion that there is a whole aboveground world around them.

How can you wander into the Plane of Earth accidentally? A lot of dungeons are filled with pits, and some of the pits are bottomless. Bottomless pits drop you into the Plane of Earth. You could keep falling in such a pit for minutes or days: you stop when you successfully grab at a door or ledge along the side of the pit. (Long drops are common in the Plane of Earth, and the rules of the plane are such that an otherwise deadly fall always leaves you with 1 HP). Falling for miles is easy: finding your way back up to the real world will be a Herculean task. Depending on how far you fell, you might have to adventure your way up past dozens or thousands of dungeon levels to find the portal you fell through. How’s that for claustrophobia?

Air: Just as the Plane of Earth is below us, The Plane of Air shouldn’t be an infinite, featureless expanse: it’s in the sky. I assume that we’ve all looked down at the clouds out of the window of an airplane, and imagined striding across them like giants. But even in the world of D&D, clouds aren’t usually solid.

When you travel to the Plane of Air, the natural world becomes insubstantial, and you start to gently ascend as if on an air current. Cloudstuff is the only thing that you can touch. The clouds are constantly changing, their castles and villages appearing and disappearing, and the creatures of the clouds come and go too: you might see a cloud deer emerge from the billowing ground, run from a cloud wolf, and then dissolve, and leave not a rack behind.

Furthermore, when you’re on the clouds, you can interact with the storm giants. In normal life, storm giants cannot physically attack or be attacked by the creatures of the natural world. (They can, however, throw lightning bolts at the creatures of the prime material plane.)

Fire: For this one, I’ll use an idea I mentioned before: of a campaign world where fire was sentient, and had lineage. A fire lit by another fire would share many of its characteristics, as a child does of its parent.

Fires in this world could level up: a level-one fire would be one that was just lit for the first time, and would have no special powers. A level-twenty fire might have an intelligence, wisdom, and charisma of 20, and a bunch of special powers: telepathy, the ability to burn without consuming fuel, and the ability to burn with blue cold.

Rather than an endless plain of flames and lava, the Plane of Fire would be a world that was dark in many places: with no sun or moon, it would only lit by bonfires, the great Eternal Fires that rule kingdoms, and the torches borne by mortal slaves.

Water: I’ve racked my brain and I can’t think of a way to make a Plane of Water that’s significantly cooler than a garden-variety ocean. Sure, it could be infinite, but infinity is overrated. Just making something big doesn’t necessarily make it more interesting. So do you have any ideas?

feyswords

March 2nd, 2012

Through the press he saw feyswords glittering, glimpsed auburn hair and sparks of pale viridian. Then he was pushed back, until the gate receded from view and thought.
Greg Keyes – The Briar King

As we know from this infographic, planes have levels. For instance, the feywild is approximately level 7 through 20.

Since the PCs and monsters from the feywild have an average level of 13, common feywild weapons can be given an appropriate bonus for a level 13 character or monster. Just as +1 swords are the generic magic weapon of the natural world, +2 feyswords (plus or minus one) are the standard among the feywild eladrin.

Feysword: A +2 mithral blade that glitters in the faintest light. When the eladrin armies march to battle, they do so bearing feyswords.
Advantages: 1) A feysword can be treated as a longsword or rapier, whichever is more advantageous. 2) As a free action, a feysword’s user can cause it to glow like a torch. 3) Feyswords do +5 damage to creatures with the Shadow keyword.
Drawbacks: 1) When a feysword is drawn, it confers a -2 penalty to Stealth checks involving hiding in the shadows. 2) If a feysword is exposed to the sunlight of the natural world for three consecutive days, it becomes Sunrusted.

Sunrusted Feysword: A feysword that spends much time in the natural world is likely to develop a patina of gold flecks along its silver blade: sunrust. It acts like a +1 sword, but has all of the other advantages and drawbacks of a feysword.

Lordly Feysword: Its pommel studded with jewels and its blade an interlocked pattern of mithral ivy leaves, this feysword has an enhancement bonus of +3 (or higher) and is frequently used by fey lords.
Advantages: 1) It is immune to sunrust. 2) It does +10 damage to creatures with the Shadow keyword.

Other planes can have their own common weapons: the typical weapon of the astral plane is a +3 angelsteel greatsword.

My new poster project: Random Dungeon Generator as a Dungeon Map

February 29th, 2012

I’m just about sold out of my OD&D Wandering Monster poster, and I’m working on a new poster project. It’s a bit hard to explain, but here’s my elevator pitch:

1) The 1e Dungeon Master’s Guide has an amazing collection of intricately nested d20 charts, each roll on which sends you to another chart, that can be used to generate a random dungeon.

2) Such a set of charts could be re-drawn as a flow chart.

3) A dungeon is basically a flow chart.

Therefore, the procedure for generating a random dungeon can be rendered AS A DUNGEON.

I’ve started drawing the poster: I have it about half inked. It’s a huge project that’s been eating a lot of hours. It’s currently about 4 feet tall, and it’s covered with some pretty tiny illustrations. It will be much larger and more densely illustrated than the monster poster. (The preview above is a very rough, not-cleaned-up version of maybe 7% of the total area of the poster.)

My plan is to get it finished by April, when Wizards reprints the first edition books, so that people can use it to run 1e dungeon crawls.

Printing is going to be more expensive than for the monster poster, so I might either do a kickstarter or ask for a show of hands before I print it. Would you be interested in a giant poster, with art like the above, with all the rules for generating random dungeons?

grading the planes: take your D&D players to Mars, Midway or Metamorphosis Alpha

February 27th, 2012

I don’t know if Gary Gygax’s players did a lot of planar adventures in the D&D Great Wheel (which I grade here), but I do know that they frequently traveled to other dimensions – in other words, alternate genres or game systems rather than parts of the Great Wheel cosmology – and some are mentioned in the OD&D and AD&D manuals and elsewhere.

Dave Arneson said, on a message board post, “Lost Worlds, parallel worlds, future worlds, mythical worlds, etc. All are a lot of fun. A good point made here is that the ‘new’ world must have many critters unique just to it. We had Ross Maker’s and Dave Wesely’s ‘Source Of The Nile World’ and MAR Barkers TEKUMEL world when we wanted to go there. It was a good change of pace and let me have someone else referee for a bit.”

How do these adventures in parallel dimensions stack up against the planes of the D&D cosmology?

BOOT HILL: Gary’s players sometimes jumped over to BOOT HILL, Gygax and Blume’s cowboy game, where they got to play with six-shooters. There’s lots of adventure tropes to be had in a western setting, so even though the idea of clerics at the OK Corral may not sound like D&D to you, it’s way more interesting than clerics at the Quasi-Elemental Plane of Mud.

The 1e DMG included rules for converting your characters over to the Boot Hill system. Gunfighters imported into AD&D only got 3d4 for Wisdom; a pistol does 1d8 damage. Grade: B

 

 

Metamorphosis Alpha: Gary and his players also journeyed to James M. Ward’s sci-fi game set on a space ship called the Starship Warden, which was apparently even more dangerous and chaotic than an old-school D&D dungeon. Check out the story here. Notice that the characters were teleported into the space ship, not to the uninhabited, hostile, and featureless void outside the space ship. That’s already better than half the Great Wheel planes.

If you want to try this yourself, James Ward is selling the first edition of Metamorphosis Alpha on lulu for 15 bucks. Grade: A

 

Mars: I love Edgar Rice Burroughs’ Mars books, and I’d love to play a D&D campaign there. The Mars books feature bizarre beasts, ruined cities, savage humanoid tribes, flying ships, and doomed points-of-light civilizations. Furthermore, the OD&D books already include wandering monster tables for the Martian people and monsters, so that’s, like, half the work done already. Grade: A+

 

World War II: In this Strategic Review article, Gary Gygax described this great war-game skirmish between D&D monsters and a German patrol. It looks like fun, in a war game way, especially for WWII buffs. B

Overall grade of the alternate dimensions: A

My conclusion: arguments about the Great Wheel cosmology vs. the 4e planes are irrelevant to me, because both are worse than a stable of well-realized and varied fantasy worlds. Even a world with a strong theme, like Hoth or Dark Sun, is more interesting than a universe constructed of a single element and populated by soulless elementals and angels. Next time I introduce planar travel into a game, the gates will more likely go to the Wild West, Mars, or Gamma World than Limbo or the Plane of Fire.

imagine if the guys in Night of the Living Dead had this

February 24th, 2012


As her brother was decanting the embers of the previous night’s fire from the birch bark container he carried and sustained them in, Ess’yr would find a flat stone. She set it at the new fire’s side and placed a few scraps of food on it. In an almost inaudible voice, she murmured a few words. After she was done, Varryn would bow his head over the food and whisper the same incantation. In the morning they left the food behind them as they made their way onwards. Orisian hesitated to ask Ess’yr what the act signified. His curiosity must have been poorly concealed, for on the third evening Ess’yr sat beside him at the fire. ‘The food is for restless dead. Those who walk… If one of the restless comes in the night, they will take the food. Leave us.’
Brian Ruckley – Godless World: Winterbirth

Sounds like a new ritual! I’d have it create a zone: unintelligent or low-intelligence undead cannot enter the zone.
Religion check:
1-9: Zone lasts one round
10-19: Zone lasts 5 minutes
20-29: Zone lasts one day
30-39: Zone lasts a year and a day
40+: Zone is permanent

In a game world where undead are common in the wild, this is the type of ritual that would be well-known among the common people, even among non-spell-casters. In the same way, in a witch-heavy world, common people might know the ritual to ward off the evil eye.

I think you should be able to cast a ritual once per day for free, but money can be spent to improve the ritual’s skill check. Thus, a reasonably skilled cleric can protect a camp overnight, or can spend gold and holy relics to permanently protect a shrine.

dimensional shackles, leveled

February 22nd, 2012

Dimensional Shackles of Oppression: Once a day, the holder of the key of the Shackles of Possession may give the shackles a simple order (such as “attack anyone who enters this room” or “follow and protect me”). The shackles will force their prisoner to follow the order. While actively following orders, the subject is Dominated and is not immobilized or restrained. Whenever action is not necessary to follow the order, the subject is not Dominated and is again immobilized and restrained.

My old houserules for leveling magic items mean that every piece of magical treasure has the potential to gain power in ways that the players can’t predict.

While some items may get mechanically better (for instance, a +1 sword becomes a +2 sword), it’s more challenging to improve items that don’t have numeric bonuses. I thought I’d go through the Wondrous Items in the 4e Player’s Handbook and give examples of how each could gain powers that reflect their history.

A second order in the same day will have no effect.

If the subject is bloodied or forced to do something against his nature, he gets a saving throw. If he is successful, he cannot be Dominated for the rest of the day.

Devils often use Shackles of Oppression to force their captives to defend their lairs. Many devils are protected by shackled and despairing unicorns, heroes, and even good angels.

Dimensional Shackles Forged in Life: If someone is wearing these shackles while they die, their ghost cannot leave the world until someone removes the shackles from the body. The ghost cannot stray far from its body, and, with the right ritual, may be questioned. It’s easier to resurrect someone whose spirit is trapped by the Shackles Forged in Life.

Dimensional Shackle Jewelry: The shackle looks like normal ring or necklace: its wearer is unaware of it and cannot remove it (though others can). When the captor puts it on, they can give the victim a one-sentence restriction: for instance “don’t tell anyone about the murder”, “don’t pick up any weapons”, “don’t wear that ugly hat”. The victim will follow the restriction. Victims with a Wisdom less than 13 will not be aware of the restriction: those with a high wisdom will be aware that something is modifying their behavior, but they will not know what it is.